<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[BANCADATI SAN PAOLO Search for 'pl:&quot;LAPLUME/PARIS&quot;']]> </title> <!-- prettier-ignore-start --> <link> /cgi-bin/koha/opac-search.pl?q=ccl=pl%3A%22LAPLUME%2FPARIS%22&#38;sort_by=&#38;format=rss </link> <!-- prettier-ignore-end --> <atom:link rel="self" type="application/rss+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=pl%3A%22LAPLUME%2FPARIS%22&#38;sort_by=&#38;format=rss" /> <description> <![CDATA[ Search results for 'pl:&quot;LAPLUME/PARIS&quot;' at BANCADATI SAN PAOLO]]> </description> <opensearch:totalResults>26</opensearch:totalResults> <opensearch:startIndex>0</opensearch:startIndex> <opensearch:itemsPerPage>50</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=pl%3A%22LAPLUME%2FPARIS%22&#38;sort_by=&#38;format=opensearchdescription" /> <opensearch:Query role="request" searchTerms="q%3Dccl%3Dpl%253A%2522LAPLUME%252FPARIS%2522" startPage="" /> <item> <title> Acte photographique (L'): le Polaroid Cahiers de la photographie (Les) </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=50632</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By De Meredieu Florence.<br /> LAPLUME/PARIS ACCP 1983 .<br /> &quot;9 p. (prefazione: no ; testo: 9 [pagine: 111-119])&quot; , Atto fotografico Polaroid </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=50632">Place hold on <em>Acte photographique (L'): le Polaroid</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=50632</guid> </item> <item> <title> Confession d'un amateur sans talent Cahiers de la photographie (Les) </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=50644</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Revault D'Allonnes O..<br /> LAPLUME/PARIS ACCP 1983 .<br /> &quot;2 p. (prefazione: no ; testo: 2 [pagine: 138-139])&quot; , Confessione di un Amatore senza Talento </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=50644">Place hold on <em>Confession d'un amateur sans talent</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=50644</guid> </item> <item> <title> Continuitè et discontinuitè dans l'acte photographique Cahiers de la photographie (Les) </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=50645</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Lemagny Jean-Claude.<br /> LAPLUME/PARIS ACCP 1983 .<br /> &quot;6 p. (prefazione: no ; testo: 6 [pagine: 37-42])&quot; , Continuità e Discontinuità nell'Atto fotografico fotografia Arte </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=50645">Place hold on <em>Continuitè et discontinuitè dans l'acte photographique</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=50645</guid> </item> <item> <title> Coup de la coupe (Le)-La question du temps dans l'acte photographique Cahiers de la photographie (Les) </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=50646</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Dubois Philippe.<br /> LAPLUME/PARIS ACCP 1983 .<br /> &quot;16 p. (prefazione: no ; testo: 16 [pagine: 57-72])&quot; , Questione del Tempo nell'Atto Fotografico </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=50646">Place hold on <em>Coup de la coupe (Le)-La question du temps dans l'acte photographique</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=50646</guid> </item> <item> <title> Creation et predation Cahiers de la photographie (Les) </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=50647</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Tournier Michel.<br /> LAPLUME/PARIS ACCP 1983 .<br /> &quot;7 p. (prefazione: no ; testo: 7 [pagine: 84-90])&quot; , Creazione e Predazione </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=50647">Place hold on <em>Creation et predation</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=50647</guid> </item> <item> <title> Determinations sociales des formes photographiques Cahiers de la photographie (Les) </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=50650</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Rouillé Andrè.<br /> LAPLUME/PARIS ACCP 1983 .<br /> &quot;18 p. (prefazione: no ; testo: 18 [pagine: 120-137])&quot; , Determinazioni Sociali delle forme Fotografiche </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=50650">Place hold on <em>Determinations sociales des formes photographiques</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=50650</guid> </item> <item> <title> Mais pourquoi donc photographier? Cahiers de la photographie (Les) </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=50671</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Moles Abraham.<br /> LAPLUME/PARIS ACCP 1983 .<br /> &quot;10 p. (prefazione: no ; testo: 10 [pagine: 151-160])&quot; , Note su una Psicologia dell'Atto fotografico fotografia Come Atto Socio Culturale Industria Fotografica Ologramma Trattamento delle immagini programma per la Fotografia </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=50671">Place hold on <em>Mais pourquoi donc photographier?</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=50671</guid> </item> <item> <title> Non-acte photographique (Le) Cahiers de la photographie (Les) </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=50681</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Vanlier Henri.<br /> LAPLUME/PARIS ACCP 1983 .<br /> &quot;10 p. (prefazione: no ; testo: 10 [pagine: 27-36])&quot; , Non Atto fotografico Realtà e Reale </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=50681">Place hold on <em>Non-acte photographique (Le)</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=50681</guid> </item> <item> <title> Observations d'un voyageur sur l'archipel photographie Cahiers de la photographie (Les) </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=50684</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Schwarz Angelo.<br /> LAPLUME/PARIS ACCP 1983 .<br /> &quot;10 p. (prefazione: no ; testo: 10 [pagine: 140-149])&quot; , Osservazioni di un viaggiatore Sull'Arcipelago Fotografia </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=50684">Place hold on <em>Observations d'un voyageur sur l'archipel photographie</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=50684</guid> </item> <item> <title> Portraits de la photographie Cahiers de la photographie (Les) </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=50695</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Arrouye Jean.<br /> LAPLUME/PARIS ACCP 1983 .<br /> &quot;14 p. (prefazione: no ; testo: 14 [pagine: 43-56])&quot; , Ritratti della Fotografia </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=50695">Place hold on <em>Portraits de la photographie</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=50695</guid> </item> <item> <title> Prise de vue, prise de temps Cahiers de la photographie (Les) </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=50697</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Couchot Edmond.<br /> LAPLUME/PARIS ACCP 1983 .<br /> &quot;9 p. (prefazione: no ; testo: 9 [pagine: 101-109])&quot; , Percezione e Tempo fotografico Posa Temporalità e Comunicazione Linguistica immagine e Sacralita' </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=50697">Place hold on <em>Prise de vue, prise de temps</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=50697</guid> </item> <item> <title> Projet photographique (Le) Cahiers de la photographie (Les) </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=50698</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Mora Gilles.<br /> LAPLUME/PARIS ACCP 1983 .<br /> &quot;12 p. (prefazione: no ; testo: 12 [pagine: 14-25])&quot; , Progetto Fotografico </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=50698">Place hold on <em>Projet photographique (Le)</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=50698</guid> </item> <item> <title> Regard du photographe (Le) Cahiers de la photographie (Les) </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=50703</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Soulages Francois.<br /> LAPLUME/PARIS ACCP 1983 .<br /> &quot;11 p. (prefazione: no ; testo: 11 [pagine: 73-83])&quot; , Sguardo del fotografo e Corpo del Fotografato Atto fotografico Sovente un Corpo a Corpo Sguardo dell'Amatore del professionista e dell'Artista </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=50703">Place hold on <em>Regard du photographe (Le)</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=50703</guid> </item> <item> <title> Zielke et la transparence des choses Cahiers de la photographie (Les) </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=50721</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Fleig Alain.<br /> LAPLUME/PARIS ACCP 1983 .<br /> &quot;9 p. (prefazione: no ; testo: 9 [pagine: 91-99])&quot; , Zielke e la Trasparenza delle Cose </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=50721">Place hold on <em>Zielke et la transparence des choses</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=50721</guid> </item> <item> <title> Cahiers de la photographie (Les) Cahiers de la photographie (Les) </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=70456</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By AA.VV..<br /> LAPLUME/PARIS ACCP 1983 .<br /> &quot;160 p. (prefazione: no ; testo: 160)&quot; , Atti del Colloquio Tenuto Alla Sorbona nel 1982 Sul Tema l'atto fotografico relazioni di Autori vari Introduzione di Gilles Mora e Apertura dei Lavori del Preside dell'Università Soppelsa </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=70456">Place hold on <em>Cahiers de la photographie (Les)</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=70456</guid> </item> <item> <title> Philosophie de la photographie Philosophie de la Photographie </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=70489</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Vanlier Henri.<br /> LAPLUME/PARIS ACCP 1983 .<br /> &quot;144 p. (prefazione: no ; testo: 144)&quot; , Filosofia della fotografia testo e Struttura della fotografia Impronta Fotonica Isomorfica Sincrona Positiva negativa Analogica e Digitale Effetti di Campo Denotazioni e Connotazioni Riproduzione e Trasmutabilità Realtà e Reale schemi Mentali foto a Colori Diapositiva Iniziative fotografiche iniziativa della Tecnica Industriale iniziativa della Natura iniziativa Dello Spettacolo Fotogenie iniziativa del fotografo Condotte fotografiche Posizionamento pubblicitario moda Condotte Artistiche Soggetto fotografico Condotte Scientifiche Documentarie Testimoniali fotografia e gli Operatori Contemporanei Questioni di Metodo </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=70489">Place hold on <em>Philosophie de la photographie</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=70489</guid> </item> <item> <title> Chambre Claire (La) ou le refus de l'art Roland Barthes et la Photo: le Pire des Signes </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=82828</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Ortel Philippe.<br /> LAPLUME/PARIS ACCP 1990 .<br /> &quot;8 p. (prefazione: no ; testo: 8 [pagine: 32-39])&quot; , La Chambre Claire o Il Rifiuto dell'arte . </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=82828">Place hold on <em>Chambre Claire (La) ou le refus de l'art</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=82828</guid> </item> <item> <title> De l'esquisse d'une theorie a la derniere aventure d'une pensee Roland Barthes et la Photo: le Pire des Signes </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=82829</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Bauret Gabriel.<br /> LAPLUME/PARIS ACCP 1990 .<br /> &quot;7 p. (prefazione: no ; testo: 7 [pagine: 7-13])&quot; , Dall'Abbozzo di una Teoria all'ultima Avventura di un pensiero . da le message Photographique a la Chambre Claire. utopia Semiologica. Procedimento Autobiografico. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=82829">Place hold on <em>De l'esquisse d'une theorie a la derniere aventure d'une pensee</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=82829</guid> </item> <item> <title> Image blanche (L') Roland Barthes et la Photo: le Pire des Signes </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=82830</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Gontier Thierry.<br /> LAPLUME/PARIS ACCP 1990 .<br /> &quot;8 p. (prefazione: no ; testo: 8 [pagine: 22-29])&quot; , Immagine Bianca. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=82830">Place hold on <em>Image blanche (L')</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=82830</guid> </item> <item> <title> Narrativites photographiques ou l'animadversion de Barthes Roland Barthes et la Photo: le Pire des Signes </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=82831</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Arrouye Jean.<br /> LAPLUME/PARIS ACCP 1990 .<br /> &quot;9 p. (prefazione: no ; testo: 9 [pagine: 40-48])&quot; , Narratività fotografiche o L'Avversione di Barthes. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=82831">Place hold on <em>Narrativites photographiques ou l'animadversion de Barthes</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=82831</guid> </item> <item> <title> Photographe (Le) ou comment s'en debarrasser Roland Barthes et la Photo: le Pire des Signes </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=82832</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Fleig Alain.<br /> LAPLUME/PARIS ACCP 1990 .<br /> &quot;7 p. (prefazione: no ; testo: 7 [pagine: 57-63])&quot; , Il fotografo o Come Sbarazzarsene. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=82832">Place hold on <em>Photographe (Le) ou comment s'en debarrasser</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=82832</guid> </item> <item> <title> Photographie (La), miroir des sciences humaines Roland Barthes et la Photo: le Pire des Signes </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=82833</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Leenhardt Jacques.<br /> LAPLUME/PARIS ACCP 1990 .<br /> &quot;10 p. (prefazione: no ; testo: 10 [pagine: 64-73])&quot; , Fotografia Specchio delle Scienze Umane. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=82833">Place hold on <em>Photographie (La), miroir des sciences humaines </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=82833</guid> </item> <item> <title> Singulier a l'epreuve (Le) Roland Barthes et la Photo: le Pire des Signes </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=82834</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Wahl Francois.<br /> LAPLUME/PARIS ACCP 1990 .<br /> &quot;8 p. (prefazione: no ; testo: 8 [pagine: 14-21])&quot; , Dal Singolare Alla Prova. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=82834">Place hold on <em>Singulier a l'epreuve (Le)</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=82834</guid> </item> <item> <title> Sur deux photos de William Klein Roland Barthes et la Photo: le Pire des Signes </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=82835</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Klein William.<br /> LAPLUME/PARIS ACCP 1990 .<br /> &quot;2 p. (prefazione: no ; testo: 2 [pagine: 30-31])&quot; , Su Due foto di William Klein. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=82835">Place hold on <em>Sur deux photos de William Klein</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=82835</guid> </item> <item> <title> Roland Barthes et la photo: le pire des signes Roland Barthes et la Photo: le Pire des Signes </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=92596</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By AA.VV..<br /> LAPLUME/PARIS ACCP 1990 .<br /> &quot;88 p. (prefazione: no ; testo: 88 [pagine: 0-0])&quot; , Roland Barthes e la Fotografia. Peggiore dei Segni. contributi di Autori Vari. intervista a Barthes Sulla Fotografia. Portfolio di Michel Delaborde Eun Altro di Daniel Boudinet. </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=92596">Place hold on <em>Roland Barthes et la photo: le pire des signes</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=92596</guid> </item> <item> <title> Histoire photographique de la photographie Histoire Photographique de la Photographie </title> <dc:identifier>ISBN:</dc:identifier> <!-- prettier-ignore-start --> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=92612</link> <!-- prettier-ignore-end --> <description> <![CDATA[ <p> By Van Lier Henri.<br /> LAPLUME/PARIS ACCP 1992 .<br /> &quot;264 p. (prefazione: no ; testo: 264 [pagine: 0-0])&quot; , Storia Fotografica della fotografia Tramite la Storia dei Grandi Fotografi: Hill e Adamson (Inghilterra 1802/1870, 1821/1848), Nadar (Francia 1820/1910), Cameron (Inghilterra 1815/1879), Atget (Francia 1857/1927), Stieglitz (Usa 1864/1946), Sander (Germania 1876/1964), Steichen (Usa 1879/1973), Paul Strand (Usa 1890/1976), Weston (Usa 1886/1958), Dorothea Lange (Usa 1895/1965), Man Ray (Usa 1890/1976), Moholy Nagy (Ungheria 1895/1946), Lartigue (Francia 1894/1986), Kertesz (Ungheria 1894/1985), Brassai (Ungheria/Francia 1899/1984), Ansel Adams (Usa 1902/1984), Walker Evans (1903/1975), Alvarez bravo (Messico 1902), Bill Brandt (Inghilterra 1904/1983), Eugene Smith (Usa 1918/1978), Cartier Bresson (Francia 1908), Robert Capa (Ungheria/Usa 1913/1954), Ueda e Suda (Giappone 1913, 1940), Irving Penn e Bert Stern (Usa1917, 1930), Avedon e Diane Arbus (Usa 1923/1971), Robert Frank (Svizzera 1924), Marc Triver (Belgio 1960), Giacomelli (Italia 1925), Jorge Molder (Portogallo 1947), William Klein (Usa 1928), Duane Michals, Ralph Gibson, Friedlander, Denis Roche, Mapplethorpe, Dieter Appelt, Witkin, Boltanski, Max Pam, Scianna, Ernst Haas, Helmut Newton, Leni Riefenstahl, Hiro, David Hockney, Colette Duck, Pierre Radisic, </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=92612">Place hold on <em>Histoire photographique de la photographie</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=92612</guid> </item> </channel> </rss>
