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  <titleInfo>
    <title>Points de repere-1-Imaginer</title>
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  <titleInfo>
    <title/>
    <subTitle>Points de Repere-1-Imaginer</subTitle>
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  <name type="personal">
    <namePart>Boulez Pierre</namePart>
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    <role>
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    <place>
      <placeTerm type="text">PARIS</placeTerm>
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    <publisher>Bourgois Crhistian</publisher>
    <dateIssued>1995 [1° Ed.:1995 - Ed.Ling.Originale:1981]</dateIssued>
    <dateIssued encoding="marc">9999</dateIssued>
    <edition>2a ed.</edition>
    <issuance>monographic</issuance>
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    <languageTerm authority="iso639-2b" type="code">und</languageTerm>
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  <language>
    <languageTerm authority="iso639-2b" type="code">FRA</languageTerm>
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  <language>
    <languageTerm authority="iso639-2b" type="code">NCE</languageTerm>
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  <language>
    <languageTerm authority="iso639-2b" type="code">SE</languageTerm>
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  <physicalDescription>
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    <extent>"580 p. (prefazione: no ; testo: 580)"</extent>
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  <note>Punti di Riferimento: Primo Volume: Immaginare. Testi Riuniti e Presentatida Jean Jacques Nattiez. Probabilità Critiche del Compositore. Corteo degli Antenati: Berg, Ravel, Stravinskij, Schonberg, J.S. Bach. tendenze Dellamusica Recente. Note per una Enciclopedia: Bela Bartok, Alban Berg, Claudedebussy, Arnold Schonberg, Anton Von Webern. per una Tecnologia: Accordo, Atonalità, Cromatismo, Musica Concreta, Contrappunto, Dodecafonia, Serie. Pensare la Musica Oggi: Forma, Tempo, notazione e Codice, Disciplina e Comunicazione. per una Poetica: Alea, Fluidità nel Divenire Sonoro, Suono e Parola, Sonata, Improvvisazione, Poesia e Musica. Estetica Musicale: Esteticae Feticci, gusto e Funzione, Necessità di un Orientamento Estetico.</note>
  <subject>
    <topic>LINGUAGGIO MUSICALE</topic>
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